Guild Member/Trade Login
The home of Art and Framing since 1910
Mike Jones Exhibition at the Towngate Gallery
Mike Jones has dedicated his life to capturing the essence and beauty of the sea. This exhibition of images is a stunning range of Mike’s work and a joy to view.
Paintings of Italy
Featuring original paintings and limited edition fine art prints of Italy.
Alan’s first trip to Italy in 1991 was the catalyst for many more watercolour painting excursions and Alan Reed has produced an ever increasing, comprehensive collection of limited edition prints of scenes around Italy. This Italian collection includes a number of familiar sights and landmarks. Alan Reed has painted Rome, Tuscany, Siena, Umbria and more.
NKB Gallery 2010 - This Time Around by Mike Rowland.
NKB Gallery is pleased to announce that the first show solo show of 2010 will be This Time Around by Mike Rowland.
A Celebration of Colour - 24 FINE ART CARDS By Irish Artist John
John Nolan has published a spectacular set of 24 contemporary Fine Art Greeting Cards.
Each unique card is a reproduction of his original contemporary and pop art styles, a true celebaration of colour.
Gilding and Restoration Courses in Scotland
Livingston and central belt residents can now benefit from additional framing services of gilding and restoration following the success of 4 day training course conducted by guest tutor Jan Pike, at Atkin Framers Ltd, Livingston West Lothian, Scotland
View All Articles
Commended Level Framing
Why choose Commended Level Framing?
Guild Commended Level framing should visually enhance the artwork and will give a moderate level of protection from physical and mechanical damage, airborne pollution and acid damage. A windowmount or slip should normally be used to visually enhance the artwork and distance it from the glazing. Processes do not have to be reversible so make sure your framer knows if the chance to get your work back to its condition prior to framing is important to you. The Guild recommends that processes should be reversible whenever possible, as the future value of works cannot always be foreseen and work ‘in mint condition’ commands the best secondary market value.
The target time for this level of framing is around five years in normal conditions, but this can be improved by requesting Conservation Level quality of materials, such as mountboard, where you can afford it. Consult with your professional framer. Always have items and artwork that you value framed with the best possible materials; this will help them give you pleasure for longer. Commended Level framing gives you a wider choice of mountboard colour options than Conservation Level and some artwork will look better when dry mounted, a process that can also help disguise previous damage but that is usually not readily reversible.
Commended Level Framing is suitable for replaceable artwork of limited commercial and/or moderate sentimental value and where visual appearance is important. The target lifetime assumes that artwork is not inherently unstable. Commended Level framing is not recommended for high value limited edition prints or original artwork, which should be framed to Conservation or Museum Level.
Ask a professional
|
|
Fine Art Trade Guild members commit to its Code of Ethics and support its standards. For a full list of Guild members in your area, search the Directory. |
|
|
Guild Commended Framer GCFs have a passed a rigorous test, administered by the Fine Art Trade Guild, the industry's trade body. Look for this symbol in your local gallery or framing shop, or to find a full list of qualified framers in your area, search the Directory. |
 |
The Institute of Conservation will help you find a qualified profesional restorer or conservator for your artwork |
