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Mike Jones Exhibition at the Towngate Gallery

Mike Jones has dedicated his life to capturing the essence and beauty of the sea. This exhibition of images is a stunning range of Mike’s work and a joy to view.


Paintings of Italy

Featuring original paintings and limited edition fine art prints of Italy.

Alan’s first trip to Italy in 1991 was the catalyst for many more watercolour painting excursions and Alan Reed has produced an ever increasing, comprehensive collection of limited edition prints of scenes around Italy. This Italian collection includes a number of familiar sights and landmarks. Alan Reed has painted Rome, Tuscany, Siena, Umbria and more.


NKB Gallery 2010 - This Time Around by Mike Rowland.

NKB Gallery is pleased to announce that the first show solo show of 2010 will be This Time Around by Mike Rowland.


A Celebration of Colour - 24 FINE ART CARDS By Irish Artist John

John Nolan has published a spectacular set of 24 contemporary Fine Art Greeting Cards.

Each unique card is a reproduction of his original contemporary and pop art styles, a true celebaration of colour.


Gilding and Restoration Courses in Scotland

Livingston and central belt residents can now benefit from additional framing services of gilding and restoration following the success of 4 day training course conducted by guest tutor Jan Pike, at Atkin Framers Ltd, Livingston West Lothian, Scotland


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Framing Info & Advice

Choosing the right frame: what your money buys

Framed for Good - consumer leaflet from the GuildYou may think you want the cheapest frame but remember that low-cost framing can actually damage your picture. Some art should be protected for future generations.

A professional framer will be able to advise you on the appropriate level of framing for your artwork - and will know how to make even a modestly priced print look its best

The Five Levels of Framing

You have a choice about how much or how little you want to safeguard your picture. There are Five Levels of Framing for you to choose from as the following summary explains:

Museum - The ultimate protection for your artwork

Conservation - Helping preserve your artwork for future generations

Commended - Guarantees a degree of protection, with design playing an important part

Budget - Visually pleasing, but offering no long-term protection

Minimum - Putting economy first

 Ask your framer which level you should choose for YOUR artwork

Caring for your artwork at home

 

Avoid Heat

Ideally pictures should not be hung above radiators.  Extreme or rapid changes in temperature cause paper and wood to dry out and adhesives to fail

Beware damp

Damp can cause pictures to ripple. If the ripples touch the glass, the picture might stick and be hard to remove. Damp also encourages fungal growth - likely to show as brown stains. Conservation framing can slow these effects, but it is always best to avoid hanging framed pictures in humid conditions. Allow six months before hanging pictures on newly plastered walls

Eye-level display

Remember most pictures are designed to be viewed at eye-level. When hanging a group of pictures of different sizes align the top edges. Groups of pictures need not be hung in symmetrical patterns, but they should follow some sort of overall design. Try arranging them on the floor first

Hang securely

Use two hooks on the wall, each set about a quarter of the way in from either side of the picture. Check that the cord, wire or other hanger you use is designed to support the weight of your artwork. Where safety is critical, in children's bedrooms, for example, ask your framer about security fittings and glazing

A gentle clean

Dust frames or treat with a soft brush, rather than risk applying water or cleaning fluids. Don't use cleaning fluids or water on the varnished surface of oil paintings; again dust carefully. If cleaning fluids have to be used on the glass, apply them to a duster first (rather than spraying the glass directly); take care not to let the fluids touch the frame

Regular checks

If you find any evidence of discolouration, unsightly brown dots, small insects under the glass or that the brown paper tape sealing the back of the frame has come unstuck, return the frame to the framer. Check for corroding picture wire or weak or loosening cord. The varnish on oil paintings will gradually discolour, especially if the picture hangs in smoky or polluted conditions. It should be replaced as it dirties. Oil paintings stretched over wooden bars may sag over time and the bars can make a slight imprint on the front of the canvas. Take the picture back to your framer for tightening or re-stretching. The Fine Art Trade Guild recommends inspection every five years

Out of the light

Try not to hang pictures directly opposite large windows as sunlight fades colours and discolours paper. Special UV-coated glass can help to slow this down. The Fine Art Trade Guild has set industry-wide standards for printing and framing materials. Ask your framer about the ways in which you can preserve your artwork for the long-term

 
Handle with care

When carrying and transporting a picture, grasp the frame firmly on both sides. If you have to store pictures, make sure they are stacked vertically and the right way up. When stacking pictures, stand them 'glass to glass' so that the hangers do not damage the frames

 


Ask a professional

 

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Fine Art Trade Guild members commit to its Code of Ethics and support its standards. For a full list of Guild members in your area, search the Directory

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Guild Commended Framer GCFs have a passed a rigorous test, administered by the Fine Art Trade Guild, the industry's trade body. Look for this symbol in your local gallery or framing shop, or to find a full list of qualified framers in your area, search the Directory
   

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