Affordable and original contemporary art by emerging and established artists.
See recent work by Thuline De Cock in Cumbria.
Fine art photography by Robert Pollock
See this superb exhibit of collectable Victorian paintings in Hampshire.
Fun, busy and hands-on framing courses in Northampton
Museum Level Framing is not confined to museums’ works. Some artwork gains museum-quality status over time. Works that are to be preserved for future generations, including high value items and artwork of potential or historical value should be framed to Museum Level, where possible. Processes are intended to be fully reversible up to 35 years, which means that the framed work can be returned to its former state, i.e. prior to framing, at any time, assuming that the artwork is not inherently unstable
Good original frames should be retained wherever possible as these can enhance the value of the artwork. Frames can be replicated for display purposes, while the original is preserved in museum storage. Sometimes it is advantageous to retain an original windowmount (possibly gilded or decorated). A qualified framer will know how to do this and protect the artwork from damage this original windowmount could otherwise inflict on the artworkMuseum Level framing should give the best possible protection for your artwork or objects, whilst looking good and enabling you to view your framed work to best effect. By using the highest quality materials available and the best techniques, the framer can give your work protection from physical and mechanical damage, airborne pollution and acids generated by many framing materials. Museum Level framing should be good for at least 30 years in normal conditions. However, pictures are rarely hung in ideal conditions, so we recommend that you have the frame checked every five years or so by a professional framer. The Fine Art Trade Guild recommends that you agree a 'condition of artwork' report on all works to be framed to Museum Level that are not brand new, prior to framing. Appropriate remedial action on deteriorating artwork should be taken before reframing. Some framers can do this work; not all. Check and ask for credentials.
Note: Any existing labels should be preserved as this can provide provenance for the art
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Fine Art Trade Guild members commit to its Code of Ethics and support its standards. For a full list of Guild members in your area, search the Directory |
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Guild Commended Framer GCFs have a passed a rigorous test, administered by the Fine Art Trade Guild, the industry's trade body. Look for this symbol in your local gallery or framing shop, or to find a full list of qualified framers in your area, search the Directory |
| The Institute of Conservation will help you find a qualified profesional restorer or conservator for your artwork |