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The home of Art and Framing since 1910
Mike Jones Exhibition at the Towngate Gallery
Mike Jones has dedicated his life to capturing the essence and beauty of the sea. This exhibition of images is a stunning range of Mike’s work and a joy to view.
Paintings of Italy
Featuring original paintings and limited edition fine art prints of Italy.
Alan’s first trip to Italy in 1991 was the catalyst for many more watercolour painting excursions and Alan Reed has produced an ever increasing, comprehensive collection of limited edition prints of scenes around Italy. This Italian collection includes a number of familiar sights and landmarks. Alan Reed has painted Rome, Tuscany, Siena, Umbria and more.
NKB Gallery 2010 - This Time Around by Mike Rowland.
NKB Gallery is pleased to announce that the first show solo show of 2010 will be This Time Around by Mike Rowland.
A Celebration of Colour - 24 FINE ART CARDS By Irish Artist John
John Nolan has published a spectacular set of 24 contemporary Fine Art Greeting Cards.
Each unique card is a reproduction of his original contemporary and pop art styles, a true celebaration of colour.
Gilding and Restoration Courses in Scotland
Livingston and central belt residents can now benefit from additional framing services of gilding and restoration following the success of 4 day training course conducted by guest tutor Jan Pike, at Atkin Framers Ltd, Livingston West Lothian, Scotland
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Museum Level Framing
Why choose Museum Level Framing?
Museum Level Framing is not confined to museums’ works. Some artwork gains museum-quality status over time. Works that are to be preserved for future generations, including high value items and artwork of potential or historical value should be framed to Museum Level, where possible. Processes are intended to be fully reversible up to 35 years, which means that the framed work can be returned to its former state, i.e. prior to framing, at any time, assuming that the artwork is not inherently unstable
Good original frames should be retained wherever possible as these can enhance the value of the artwork. Frames can be replicated for display purposes, while the original is preserved in museum storage. Sometimes it is advantageous to retain an original windowmount (possibly gilded or decorated). A qualified framer will know how to do this and protect the artwork from damage this original windowmount could otherwise inflict on the artworkMuseum Level framing should give the best possible protection for your artwork or objects, whilst looking good and enabling you to view your framed work to best effect. By using the highest quality materials available and the best techniques, the framer can give your work protection from physical and mechanical damage, airborne pollution and acids generated by many framing materials. Museum Level framing should be good for at least 30 years in normal conditions. However, pictures are rarely hung in ideal conditions, so we recommend that you have the frame checked every five years or so by a professional framer. The Fine Art Trade Guild recommends that you agree a 'condition of artwork' report on all works to be framed to Museum Level that are not brand new, prior to framing. Appropriate remedial action on deteriorating artwork should be taken before reframing. Some framers can do this work; not all. Check and ask for credentials.
Note: Any existing labels should be preserved as this can provide provenance for the art
Ask a professional
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Fine Art Trade Guild members commit to its Code of Ethics and support its standards. For a full list of Guild members in your area, search the Directory |
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Guild Commended Framer GCFs have a passed a rigorous test, administered by the Fine Art Trade Guild, the industry's trade body. Look for this symbol in your local gallery or framing shop, or to find a full list of qualified framers in your area, search the Directory |
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The Institute of Conservation will help you find a qualified profesional restorer or conservator for your artwork |
